This Floating Poo Was Far Too Symbolic! It's the Television Letdowns of the Year.

As we reflect on the TV landscape of the recent year, a handful of series emerge not for their brilliance, but for their spectacular shortcomings. Ranging from cringe-inducing sequels to bafflingly poor documentaries, here are the programmes that had us utterly bewildered or simply reaching for the remote.

And Just Like That

Where to begin with this love/hate spin-off? Plagued with woeful writing, painful character development (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the series struggled to find its footing. For a moment, as the final series began, it seemed as if it had finally found its groove. Then came an episode all about Seema’s natural deodorant. No wonder the creator declared this would be the last series. It ended on a low point; the lingering shot of Miranda’s loo flooded with poo was simply too symbolic. Yet, fans certainly found joy dissecting every single “what on earth?” moment. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who couldn't release a little sob?

All’s Fair

‘Can Kim Kardashian act? Of course she can’t.’

But that was almost the smallest of this drama's problems. The recipient of a exceedingly uncommon zero star assessment, it was hard to know where to start enumerating the flaws. The laughably leaden writing? The tedious veneration of wealth and materialism? The almost deliberate parade of cliches? Performances so poor they felt almost spiteful? Suffice it to say “all of the above” and forget about this series again. However, a second season has been ordered, so we’re probably going to have to.

The Charlie Sheen Documentary

Given the legal troubles, abuse claims and parental failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d really have gleaned it from this multi-part docuseries which chuckled along at Sheen’s various episodes of self-destructive hedonism while failing to tell us a single thing we weren't already aware of. Rather, it felt as if this loose cannon was being pandered to, so any pity this series might induce should be reserved for the people who have had to endure close contact with this charismatic but dismissive narcissist.

The Iris Affair

Naturally we understood it was ridiculous from the get-go: a drama about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of pure love for its leads … but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ultimately hacking Charlie with an axe … in super slow-motion. That's what you call admitting defeat.

The Gangster Drama

Shady characters meeting in empty boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.

Actually, that is harsh on the crime shows of the late 90s. Many look a little dated now, but at least they didn’t suffer the embarrassment of having to indulge baffling dialects. But there were many other problems. Primarily that it was just really boring; a conflict over narcotics territory between various cockney rogues which seemed a bit basic.

The Meghan Markle Series

Considering the degree to which she grinds the gears of the nation’s performatively enraged commentators, it’s almost tempting to admire the Duchess of Sussex’s televised forays into quaint homemaking as deliberate statements. But then you watch them and are compelled to concede that in this case, they might have a point. It’s like watching a lifestyle catalogue come to life; a meme for wine o’clock with ideas of grandeur; a parade of snoozing dogs, buzzing beehives, Hallmark platitudes and forgettable crafting “hacks” you’ll not remember instantly. All underpinned by vast, mostly undeserved wealth. Ugh.

The Beckham Documentary

There are obviously interesting things to be said about regarding Victoria Beckham and her struggles with vocation, identity, self-worth. But for some reason, this documentary series opted not to explore them. Rather, the experience was like reading a sales catalogue. She clearly has every right to resent what she describes as her “miserable cow” image. But sadly, she didn’t do herself any favours with this guarded non-event of a series.

The Game Show

It should have been the next big hit – except even camper, with a famous star as a deceased benefactor and a sharp-tongued personality managing her inheritance. What more could you want? As players battled it out, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s even now too complicated to detail what precisely was happening. Even more disappointingly, we only saw glimpses of the star via filmed videos. The series ended up reeking of a production that was trying way too hard to emulate something way beyond it.

Too Much

How does one succeed a show that defined a generation? The pressure was immense for this glitzy romcom about Jessica, a hopeful New Yorker who arrives in London with a broken heart. The star seized the opportunity by the horns and was a delight to watch, reveling in Jane Austen levels of romantic notions. But it was all very slick and, ironically, was insufficient. Plus, the sheer amount of famous friends involved felt icky.

The Sketch Show Return

Not good enough to be ‘uneven’.

Given the smart recruitment of talented younger comics, expectations were high. But sadly, most of it fell flat. A particular sketch was a one-note joke stretched to a dry pulp but repeated in every episode. One star seemed too ready to slip into a familiar irate mode. The writing room sketches, meanwhile, simply inspired the idea that they should probably have remained in there a while longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this isn’t it. The subject matter needed to be treated with care. Instead, the series laboured awkwardly to find the right voice, lumbering from strangely jaunty, somewhat stylised farce to inevitably, real-life horror. Complex? Perhaps. A total mess? Very much so.

Prime Target

We admire the lead actor … but did we buy him playing the greatest maths genius since, a man so intelligent he’s on the verge of a breakthrough that could ruin society? Nope! This international thriller about secret services targeting – and killing off – intellectuals honestly got more farcical by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the online personality renowned for explicit exploits as she prepared for her most extreme feat yet. What on earth would motivate her? What we wanted was far greater examination of her true psychology, plus those of the men in the line. They could at least have interviewed the legendary mum who showed up to drag her son out of the queue. What we got was disturbing imagery and absolutely no critical analysis of her notoriety whatsoever. It's staggering to consider, the filmmaker has a young daughter too.

Deborah Foley
Deborah Foley

Elara Vance is a seasoned journalist with over a decade of experience in investigative reporting and editorial writing.